
A spirited evening took place in Delhi recently where Gulrang, an intimate sundowner gathering, marked the beginning of Raasaé, a new entrant in the Indian home décor space. In the spring-laden courtyard of Sainik Farms, the brand introduced its brass work through thoughtfully placed installations across the garden, while lotus flowers served as delicate accents, tying together the ethos of Indian aesthetics and rasas with the evening’s theme. Guests chatted over a grazing table as Punjabi folk music filled the air, bringing together a sensory experience that echoed the many moods of Indian rasas.
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Gulrang was curated to celebrate Raasaé’s beginning alongside the onset of spring. The space showcased a range of metallic finishes that caught the light with quiet drama. From striking elements inspired by Mughal architecture to accents that seemed to narrate folklore and myth, the collection felt rooted yet imaginative. The studio brings together a wide spectrum of home décor offerings, presented as an extension of the brand’s deep connection to Indian aesthetics. Handcrafted furniture greets visitors at the entrance, leading into walls that thoughtfully display lighting, décor, serving pieces, barware, and antique collections. The finishes remain distinctly Indian, with hammered textures and rippled surfaces that evoke warmth and familiarity. These details find expression across urlis, urns, matkas, and thaals, each piece designed to carry a sense of cultural memory into contemporary spaces.
Yet, Raasaé’s craftsmanship was only one part of the evening’s narrative. “It’s as much about unifying people through art and experiences,” said founder Raghav Arora. Gulrang, while introducing the brand, also reflected its deeper intent. “We already have a strong presence in the home décor space with Raas Ikaai. With Raasaé, the idea was to move from simply creating art to creating it with meaning,” he added. In India, celebration is intrinsic to everyday life, cutting across geography and diversity. Yet, as Raghav points out, there remains a gap in the gifting market. Raasaé positions itself within this space, offering pieces that move beyond aesthetics into storytelling.
Raghav Arora, a grandchild of Partition, traces this lineage back to his great-grandfather, who rebuilt a life in India by establishing a business around steam locomotives. Over time, a deep understanding of metallurgy and material evolved within the family, laying the foundation for their parent company, Raas Ikaai, which has established a global presence in bespoke home décor. Emerging from this legacy, Raasaé carries forward more than three decades of experience with global design collections. At its core lies what Raghav describes as “creative generosity”—the idea that the act of creation itself is a gift, one that eventually translates into giving back through art.
This philosophy takes shape through the brand’s emphasis on personalization.We’re investing in a relationship,” Raghav explained. “It’s about creating something more human, more nuanced, and more meaningful.” In a landscape where gifting has often become transactional, Raasaé attempts to reintroduce depth and intention. As Saisha, Raghav’s wife and a psychologist, notes, the emotional value of gifting has gradually been overshadowed by presentation and price. The brand aims to restore that connection; creating pieces that carry the sentiment of the occasion they are meant for.
Through sculptural accents rooted in Indian aesthetics, Raasaé offers more than décor—it offers memory. Each piece becomes a repository of stories, celebrations, and cultural identity. At a time when homogeneity threatens to blur these narratives, the brand positions itself as both a preserver and interpreter of Indian ethos. “When we bridge the gap in gifting, rooted in Indian ethos, we do so with the intent of celebrating beginnings with kindness and generosity,” Raghav said.
Raasaé’s newly launched studio is now open for private, curated appointments with interior designers, architects, and buyers.
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